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	<title>blair's blógado gigante &#187; Waves C4</title>
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	<link>http://blairblends.com</link>
	<description>musician, coder, vfx ninja, colorist, weather nerd</description>
	<lastBuildDate>Mon, 30 Aug 2010 03:29:17 +0000</lastBuildDate>
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		<title>blair's blógado gigante &#187; Waves C4</title>
		<link>http://blairblends.com</link>
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	<itunes:summary>musician, coder, vfx ninja, colorist, weather nerd</itunes:summary>
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	<itunes:author>blair's blógado gigante</itunes:author>
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		<title>Preview:  &#8220;Mere Exposure&#8221;</title>
		<link>http://blairblends.com/2010/mere-exposure.html</link>
		<comments>http://blairblends.com/2010/mere-exposure.html#comments</comments>
		<pubDate>Mon, 30 Aug 2010 03:14:57 +0000</pubDate>
		<dc:creator>blairblends</dc:creator>
				<category><![CDATA[Breakdowns]]></category>
		<category><![CDATA[Eastern]]></category>
		<category><![CDATA[Electronic & Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcast Audio]]></category>
		<category><![CDATA[Thunderous & Dark]]></category>
		<category><![CDATA[Absynth 4]]></category>
		<category><![CDATA[Adobe Audition 3]]></category>
		<category><![CDATA[FLAC]]></category>
		<category><![CDATA[raging guitar]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[Spectrasonics Omnisphere]]></category>
		<category><![CDATA[vocals]]></category>
		<category><![CDATA[Waves C4]]></category>
		<category><![CDATA[Waves L2]]></category>
		<category><![CDATA[Waves Plug-Ins]]></category>
		<category><![CDATA[Waves RVox]]></category>

		<guid isPermaLink="false">http://blairblends.com/?p=200</guid>
		<description><![CDATA[Oh, hi!  It&#8217;s been a terribly long time since I shared any music.  This is a new piece I&#8217;m working on that takes on the usual ominous/industrial/haunting vocals sound.  I didn&#8217;t want&#8217;t to post the preview until I had a chance to properly master it on good studio monitors.  (I had previously been working with [...]]]></description>
			<content:encoded><![CDATA[<p>Oh, hi!  It&#8217;s been a terribly long time since I shared any music.  This is a new piece I&#8217;m working on that takes on the usual ominous/industrial/haunting vocals sound.  I didn&#8217;t want&#8217;t to post the preview until I had a chance to properly master it on good studio monitors.  (I had previously been working with headphones, and honestly I did pretty well considering how hard it normally is to work on music with headphones for long periods of time.)</p>
<p>The track, bus, and pre-dub counts are starting to add up, but using Audition 3.0.1 on a quad core with 24 GB of RAM doesn&#8217;t slow it down, even with heavy use of effects and VST/DirectX plug-ins.</p>
<p>The next pass will be strings&#8230;that is to say, I will be adding some incidental strings along with a solo.  I will probably go with the baritone violin, since I need something edgy and harsh to punch through.  The fog of war (&#8220;density&#8221;) of this track is already starting to get into the 90th percentile.</p>
<p>Let me know what you think.</p>
<p><strong>Once this track is finished, I will post it in its entirety, along with a podcast of me walking you through how it came to be, and &#8220;breaking down&#8221; what individual elements have gone into making the final product.</strong></p>
]]></content:encoded>
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		<itunes:duration>2:34</itunes:duration>
		<itunes:subtitle>Oh, hi!  It's been a terribly long time since I shared any music.  This is a new piece I'm working on that takes on the ...</itunes:subtitle>
		<itunes:summary>Oh, hi!  It's been a terribly long time since I shared any music.  This is a new piece I'm working on that takes on the usual ominous/industrial/haunting vocals sound.  I didn't want't to post the preview until I had a chance to properly master it on good studio monitors.  (I had previously been working with headphones, and honestly I did pretty well considering how hard it normally is to work on music with headphones for long periods of time.)

The track, bus, and pre-dub counts are starting to add up, but using Audition 3.0.1 on a quad core with 24 GB of RAM doesn't slow it down, even with heavy use of effects and VST/DirectX plug-ins.

The next pass will be strings...that is to say, I will be adding some incidental strings along with a solo.  I will probably go with the baritone violin, since I need something edgy and harsh to punch through.  The fog of war ("density") of this track is already starting to get into the 90th percentile.

Let me know what you think.

Once this track is finished, I will post it in its entirety, along with a podcast of me walking you through how it came to be, and "breaking down" what individual elements have gone into making the final product.</itunes:summary>
		<itunes:keywords>Breakdowns, Eastern, Electronic &#38; Experimental, Music, Podcast Audio, Thunderous &#38; Dark</itunes:keywords>
		<itunes:author>blair.trosper@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
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		<title>Remix EP:  NIN&#8217;s &#8220;Echoplex&#8221;</title>
		<link>http://blairblends.com/2009/nin-echoplex-ep.html</link>
		<comments>http://blairblends.com/2009/nin-echoplex-ep.html#comments</comments>
		<pubDate>Wed, 24 Jun 2009 04:12:35 +0000</pubDate>
		<dc:creator>blairblends</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Remixes]]></category>
		<category><![CDATA[Ableton Live]]></category>
		<category><![CDATA[Adobe Audition 3]]></category>
		<category><![CDATA[EP Release]]></category>
		<category><![CDATA[FLAC]]></category>
		<category><![CDATA[Melodyne]]></category>
		<category><![CDATA[nin]]></category>
		<category><![CDATA[remix]]></category>
		<category><![CDATA[Waves C4]]></category>
		<category><![CDATA[Waves L2]]></category>
		<category><![CDATA[Waves RVox]]></category>

		<guid isPermaLink="false">http://blairblends.com/?p=151</guid>
		<description><![CDATA[Heavily modified vocals in Melodyne, a pounding breakbeat, and speaker-bending textures and sound design.  My typical NIN remix. Start to finish, this remix took about three weeks to take shape, and is the largest project I&#8217;ve ever worked on to date (in terms of track/bus count).  I did my usual workflow on this one: sequence [...]]]></description>
			<content:encoded><![CDATA[<div class="wp-caption alignright" style="width: 165px"><a href="http://blairblends.com/wp-content/uploads/2009/06/ECHOPLEX-FRONT.jpg"><img class="wp-caption" title="Echoplex (Front)" src="http://blairblends.com/wp-content/uploads/2009/06/ECHOPLEX-FRONT.jpg" alt="Echoplex EP (Front)" width="155" height="155" /></a><p class="wp-caption-text">Echoplex LP (Front)</p></div>
<p>Heavily modified vocals in Melodyne, a pounding breakbeat, and speaker-bending textures and sound design.  My typical NIN remix.</p>
<p>Start to finish, this remix took about three weeks to take shape, and is the largest project I&#8217;ve ever worked on to date (in terms of track/bus count).  I did my usual workflow on this one: sequence the parts in Live, fix &amp; manipulate the vocals in Melodyne, then mix, tinker, and master in Audition.</p>
<p>Ultimately, it came down to 42 individual tracks routed through 10 busses.  When it was &#8220;stemmed&#8221; out to let other remixers remix my remix, the smallest stem count I could get was 30, plus the vocal comp.  Suffice to say, this was an enormous project.  As usual, even with an absolute murder of Waves plug-ins, reverb sends/returns, sidechain compressors, and the overall size, Audition never flinched.  The final master was done with the L2.</p>
<div class="wp-caption alignright" style="width: 165px"><a href="http://blairblends.com/wp-content/uploads/2009/06/ECHOPLEX-BACK.jpg"><img class="wp-caption" title="Echoplex (Back)" src="http://blairblends.com/wp-content/uploads/2009/06/ECHOPLEX-BACK.jpg" alt="Echoplex (Back)" width="155" height="155" /></a><p class="wp-caption-text">Echoplex LP (Back)</p></div>
<p>If you really want to geek out, here&#8217;s a list of the stems:  synth-o-plex, fuzzy synth, bass digs, super funky bass, bass strikes down, bass stabs with echo, female soprano vocals, guitar swells, female solo vocals, piano ostenato, storm drum, hats 1, hats 2, hats 3, misc percussion 1, misc percussion 2, 18 violions and 10 violas, piano through guitar rig, cymbal splashes, cymbal crescendos, bass drum and kicks, snare 1, share 2, stomped drum kit, clean piano ender, funky guitar, piano riffs and loops, vocal comp dry, vocal comp main, vocal comp echo only, vocal comp harmony only.</p>
<p>That should give you a good idea how much crap is going on in this remix.  Download these FLAC files at will below, and share if you like.  Just bear in mind the Creative Commons License, which you can read at the footer of this and every page.  (You can also click the album art above for the full size for front/back, if you keep those as well).</p>
<p>Enjoy!</p>
<p><strong>Track List:</strong></p>
<p>1.  <a href="http://grimtrigger.com/audio/nin/NIN%20-%2001%20-%20Echoplex%20(Grim%20Trigger%27s%20Mercury%20Vapor%20Mix).flac">NIN &#8211; Echoplex (Grim Trigger&#8217;s Mercury Vapor Mix)</a> [6:23, <em>38 MB</em>]<br />
2.  <a href="http://grimtrigger.com/audio/nin/NIN%20-%2002%20-%20Echoplex%20(Grim%20Trigger%27s%20Mercury%20Vapor%20Instrumental%20Mix).flac">NIN &#8211; Echoplex (Grim Trigger&#8217;s Mercury Vapor Instrumental Mix)</a> [6:23, <em>38 MB</em>]<br />
3.  <a href="http://grimtrigger.com/audio/nin/NIN%20-%2003%20-%20Echoplex%20(Grim%20Trigger%27s%20Mercury%20Vapor%20Radio%20Edit).flac">NIN &#8211; Echoplex (Grim Trigger&#8217;s Mercury Vapor Radio Edit)</a> [4:24, <em>28 MB</em>]</p>
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